In terms of style, it is often reminiscent of Children of Men – the roaming eye-level camera obscures as much as it shows as we follow Saul’s (an effective Géza Röhrig) attempts to give a dead Jewish boy a proper burial. Searing and visceral, Son of Saul adopts an unusual long-take, shallow-focus shooting style to great effect as it powerfully offers a new approach to films concerning the horrors of the Holocaust.
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